Flemish painter (b. 1532, Antwerpen, d. 1603, Antwerpen). Flemish painter and draughtsman. Together with the brothers Ambrosius Francken I and Frans Francken I, he ranks among the most important painters of altarpieces in Antwerp during the 1590s. Due, in part, to the Counter-Reformation, there was a renewed demand for altarpieces to replace those lost during iconoclastic riots in 1566 or the reformist movement of 1581. De Vos produced works for, among others, the Old Crossbowmen, the Brabant Coiners, the Antonites, the wine merchants and the Guild of St Luke. The importance of these works would seem to suggest that, after the deaths of Pieter Bruegel I in 1569 and Frans Floris in 1570, de Vos was considered, with some justification, the most important figure painter in Antwerp before Rubens. He was also a prolific draughtsman, especially during the first half of the 1580s, when the Calvinists were in power in Antwerp. During this period he provided numerous designs for print publishers, such as Peeter Baltens, Frans van Beusecom, the widow of Hieronymus Cock, Adriaen Collaert, Phillip Galle, Willem van Haecht, Eduard van Hoeswinkel, Gerard de Jode, Hans van Luyck and Johannes Baptista Vrints. This increased activity is probably indicative of the economic recession and a dwindling market for paintings (especially of religious themes). A total of some 1600 prints were produced after designs by de Vos, an output three times that of Maarten van Heemskerck. De Vos's drawings have been praised (see Mielke) for their lively,   Related Paintings of VOS, Marten de :. | The Marriage at Cana uyr | Nativity ery | The Family of St Anne aer | The Emperor's Toll set | Portrait of Antonius Anselmus, His Wife and Their Children wr |
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John Thomson
John Thomson (14 June 1837 - 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881. The son of William Thomson, a tobacco spinner and retail trader, and his wife Isabella, Thomson was born the eighth of nine children in Edinburgh in the year of Queen Victoria's accession. After his schooling in the early 1850s, he was apprenticed to a local optical and scientific instrument manufacturer, thought to be James Mackay Bryson. During this time, Thomson learned the principles of photography and completed his apprenticeship around 1858. During this time he also undertook two years of evening classes at the Watt Institution and School of Arts (formerly the Edinburgh School of Arts, later to become Heriot-Watt University). He received the "Attestation of Proficiency" in Natural Philosophy in 1857 and in Junior Mathematics and Chemistry in 1858. In 1861 he became a member of the Royal Scottish Society of Arts, but by 1862 he had decided to travel to Singapore to join his older brother William, a watchmaker and photographer.
Blythe David Gilmour
American Painter, 1815-1865 He began his career as an itinerant portrait painter in the early 1840s and became one of the leading satirical artists in America by the beginning of the Civil War. Self-taught, from 1840 to 1850 he worked in East Liverpool, OH, and Uniontown, PA, and nearby towns and villages, painting rather stiff likenesses of the local gentry. He also carved a monumental polychrome wooden statue of Marie-Joseph, Marquis de Lafayette for the Uniontown courthouse and painted a landscape panorama of the Allegheny mountains, which he took on tour through Maryland, Pennsylvania and Ohio.
SERRA, Pedro
Spanish painter active 1363-1399